54th Season, 2025-26

We are delighted to welcome everyone to the Sinfonia of Leeds 2025-26 season. 

David Greed says:
For the final season of concerts in my role as Music Director of the Sinfonia of Leeds, it is a thrill to present four concert programmes of considerable contrasts and diversity of style.

The November concert - music by English composers - includes the Concerto for Viola and Orchestra by Arthur Bliss orchestrated by Philip Wilby from Bliss’s original sonata for viola and piano. It received its world premiere in this version at the Ryedale Festival in July 2025. David Aspin is our solo violist.

Tony Kraus conducts a programme of music by Beethoven, Mendelssohn and Stravinsky, whose Firebird Suite of 1945 features significant re-orchestration and structural change to the more familiar 1919 version.

The final two concerts are co-presented by myself and Tony when we indulge in some of our favourite music (including an entire evening of opera excerpts!) and a couple of pieces that have a particular meaning for me in my association with the orchestra. For the opera ‘gala’ in March we are delighted to welcome Rob and Elin to sing with us. For Saint-Saëns’s first cello concerto in July we are joined by distinguished cellist Dan Bull.

My time working with Sinfonia of Leeds has been a delight without measure. The decade-long partnership that I have enjoyed with Tony in performing and planning concerts is something that I will miss very much.

I would like to wish Sinfonia of Leeds huge success in its future endeavors. The orchestra has performed great music always to a very high standard of playing and I am so proud to have played my part in it.
David Greed

Saturday 8 November 2025

7.30pm, St Edmund's Church, Roundhay

Tippett - Concerto for Double String Orchestra
Bliss orch. Wilby - Viola Concerto
Elgar - Enigma Variations

Conductor: David Greed
Soloist: David Aspin

Composed in 1938-39 Tippet's Concerto for Double String Orchestra, this is probably Tippett’s most popular orchestral work. It  offers a dazzling display of energy and rhythm with Venetian polychoral motets, Northumbrian bagpipe melodies and blues melodies. 

Bliss Trust logoWe are delighted to be giving the second performance of the Bliss Viola Concerto which has been orchestrated by Philip Wilby from Bliss’s original sonata for viola and piano. David Aspin is Opera North's principal violist and we are delight to welcome him back.
Sinfonia of Leeds is grateful for The Bliss Trust for their support for this concert.
www.blisstrust.org 

Our first concert concludes with Elgar's evergreen Enigma Variations, his best known work which includes the 'Nimrod' variation.

David Aspin

Saturday 24 January 2026

7.30pm, St Edmund's Church, Roundhay

Beethoven - Overture 'Fidelio'
Mendelssohn - Symphony No. 4 'Italian'
Stravinsky - Firebird Suite (1945)

Conductor: Anthony Kraus

Beethoven's Fidelio Overture, written in 1814, is the four and final overture that he wrote for his opera Fidelio (the previous three are named 'Leonora' 1, 2 and 3).

Mendelssohn's exuberant Italian Symphony, one of his most popular, strives to convey a series of impressions of Italy—Mediterranean sunshine, religious solemnity, monumental art and architecture, and open countryside.

Stravinsky's 1910 music The Firebird was commissioned by Diaghilev for his Ballets Russes. The 1945 suite is a shorter, more concise version of the original ballet score: it retains the most compelling parts of the ballet while removing some of the less engaging sections.

Firebird by Leon Bakst, Public domain, via Wikimedia Commons

Saturday 28 March 2026

7.30pm, St Edmund's Church, Roundhay

Opera Gala:
Wagner - Overture ‘Die Meistersinger’
Delius - Walk to the Paradise Garden ‘A Village Romeo and Juliet’
Puccini - Act 2 Excerpt ‘Tosca’
Humperdinck - Act I Introduction ‘Königskinder’
Verdi - Honour monologue ‘Falstaff’
Dvorak - Song to the Moon ‘Rusalka’
Rachmaninov - Ves tabar spit ‘Aleko’
Giordano - La mamma morta ‘Andrea Chénier’
Saint-Saëns - Bacchanale ‘Samson and Delilah’

Soloists: Elin Pritchard, Robert Hayward
Conductors: David Greed & Anthony Kraus

We are delighted to be presenting his opera gala, with our two remarkable soloists: Elin Pritchard and Robert Hayward

Praised for her ravishing, passionate lyricism, impressive range and effortless technique, Elin is a force to be reckoned with on the operatic stage. Graduating with distinction from the Royal Conservatoire of Scotland and London’s National Opera studios she has gone on to win admiration for her both her vocal and dramatic ability.

Robert has performed at leading opera houses worldwide. He appears regularly at all of the UK opera houses and his portrayal of Wotan/Wanderer in ENO’s RING production was described by the Guardian as “overwhelming in his lyricism” (The Guardian).

We hope you enjoy the selection of excerpts from well known, and lesser known operas. 

Jessica Burroughs

Saturday 4 July 2026

7.30pm, St Edmund's Church, Roundhay

Weber - Overture 'Oberon’
Debussy - Prélude à l'Après-midi d'un Faune
Saint-Saëns - Cello Concerto No. 1
Bruckner - Scherzo from Symphony No. 8
Ravel - Suite No. 2 'Daphnis et Chloé

Soloist: Dan Bull
Conductor:
Anthony Kraus & David Greed

Our final concert of the season, heavily French in flavour, includes some pieces with a special meaning for David and his association with the orchestra.

We are delighted to welcome Dan Bull to play the Saint-Saëns first Cello Concerto. Donald Tovey summed up this concerto with the remark that it is “pure and brilliant without putting on chastity as a garment, and without calling attention to its jewelry at a banquet of poor relations.” Dan, a founder member of Avenue Ensemble, hails from the dark side of the Pennines and is a member of the Orchestra of Opera North.

Ravel’s ballet Daphnis et Chloé in 1910-11 for Serge Diaghilev’s Ballets Russes. The Suite No. 2 encompasses the final scene of the ballet and includes one of Ravel’s most brilliantly achieved strokes: dawn arrives unmistakably, with the singing of birds, the plashing of the waterfall, and the sun increasingly penetrating the mists. 

Witold Lutoslawski

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