Composed in 1938-39 Tippet's Concerto for Double String Orchestra, this is probably Tippett’s most popular orchestral work. It offers a dazzling display of energy and rhythm with Venetian polychoral motets, Northumbrian bagpipe melodies and blues melodies. We are delighted to be giving the second performance of the Bliss Viola Concerto which has been orchestrated by Philip Wilby from Bliss’s original sonata for viola and piano. David Aspin is Opera North's principal violist and we are delight to welcome him back.
Sinfonia of Leeds is grateful for The Bliss Trust for their support for this concert.
www.blisstrust.org
Our first concert concludes with Elgar's evergreen Enigma Variations, his best known work which includes the 'Nimrod' variation.
Beethoven's Fidelio Overture, written in 1814, is the four and final overture that he wrote for his opera Fidelio (the previous three are named 'Leonora' 1, 2 and 3).
Mendelssohn's exuberant Italian Symphony, one of his most popular, strives to convey a series of impressions of Italy—Mediterranean sunshine, religious solemnity, monumental art and architecture, and open countryside.
Stravinsky's 1910 music The Firebird was commissioned by Diaghilev for his Ballets Russes. The 1945 suite is a shorter, more concise version of the original ballet score: it retains the most compelling parts of the ballet while removing some of the less engaging sections.
We are delighted to be presenting his opera gala, with our two remarkable soloists: Elin Pritchard and Robert Hayward.
Praised for her ravishing, passionate lyricism, impressive range and effortless technique, Elin is a force to be reckoned with on the operatic stage. Graduating with distinction from the Royal Conservatoire of Scotland and London’s National Opera studios she has gone on to win admiration for her both her vocal and dramatic ability.
Robert has performed at leading opera houses worldwide. He appears regularly at all of the UK opera houses and his portrayal of Wotan/Wanderer in ENO’s RING production was described by the Guardian as “overwhelming in his lyricism” (The Guardian).
We hope you enjoy the selection of excerpts from well known, and lesser known operas.
7.30pm, St Edmund's Church, Roundhay
Our final concert of the season, heavily French in flavour, includes some pieces with a special meaning for David and his association with the orchestra.
We are delighted to welcome Dan Bull to play the Saint-Saëns first Cello Concerto. Donald Tovey summed up this concerto with the remark that it is “pure and brilliant without putting on chastity as a garment, and without calling attention to its jewelry at a banquet of poor relations.” Dan, a founder member of Avenue Ensemble, hails from the dark side of the Pennines and is a member of the Orchestra of Opera North.
Ravel’s ballet Daphnis et Chloé in 1910-11 for Serge Diaghilev’s Ballets Russes. The Suite No. 2 encompasses the final scene of the ballet and includes one of Ravel’s most brilliantly achieved strokes: dawn arrives unmistakably, with the singing of birds, the plashing of the waterfall, and the sun increasingly penetrating the mists.